by Guest Contributor Josh Glick, Yale University
The 10-part Showtime documentary series, The Untold History of the United States (2012), and the theatrically released documentary feature, Citizenfour (2014), are interesting for the ways they give shape to recent and more distant events and for how they push conventional boundaries of collaboration.
By Guest Contributor Josh Glick, Mellon Postdoctoral Fellow at Yale University in Film Studies and American Studies
[caption id="attachment_3290" align="alignleft" width="110"] Op-Docs logo, New York Times Website[/caption]
The New York Times’ continual push into the realm of nonfiction video is strategic and highly innovative. For a paper that for 160+ years has made its name and reputation on the printed word, it's a new form of capturing events, expressing critical opinions, showcasing familiar journalistic personalities, and revisiting old stories. And while videos are currently placed outside the paywall so that users can access them even if they don’t have a subscription, they are a striking way to attract people to the website and generate revenue through integrated advertisements.
Guest contributor Josh Glick, a Film Studies and American Studies Scholar from Yale University, recently had a chance to reflect on the seminal work of the late great George Stoney.
Documentary Appreciation Salon Wrap-Up and Reflections “Mockumentary v. Documentary”