A recent college graduate discovers that there are many routes on the road to becoming a documentary producer.

"We are so much more than our voices. We are our choices." This was just one takeaway from several of the top voiceover artists in the Washington DC region when they came together to speak at a Documentary Roundtable in May 2016 about how documentary filmmakers can work with talent. The joint WIFV/Docs In Progress Roundtable was held in partnership with WIFV's Talent Roundtable.

Koorosh Farchadi (2016 Fellow) went on a whirlwind journey to get behind the science and politics of climate change to hear from everyday farmers who are facing the impact of climate change with resilience.

He recounts the story of a 40-day cross-country production trip while filming his documentary HARVESTS OF HOPE.

Our 2015 Filmmaker-in-Residence Jeff Krulik has a career which has taken him from the heyday of public access television to indie cult status as a documentarian honored by MoMA and the Flaherty Film Seminar. During his residency, Krulik has been focusing on media management for his extensive collection of footage and ephemera, in preparation for creating a film archives of his work. It hasn't been easy for this self-described hoarder.  

What kinds of insurance does a documentary filmmaker need for a production company and/or a project? Meghan Shriver from MDP Inc. recently demystified the different kinds of insurance, including general liabiility equipment coverage, workers comp, and errors & omissions insurance.

Docs In Progress’ newest partner Sam Hampton has many years of experience as a consultant to organizations looking to manage their projects better. He sees definite parallels between the work of these organizations and that of independent documentary filmmakers, especially when it comes to managing the documentary project.