Sarah Daggett
January 15, 2016
Sarah Daggett is a media strategist, documentary filmmaker, community organizer, educator, and civic engagement specialist. She has worked in supporting roles on a number of social issue documentar...
READ MOREJanuary 15, 2016
Sarah Daggett is a media strategist, documentary filmmaker, community organizer, educator, and civic engagement specialist. She has worked in supporting roles on a number of social issue documentar...
READ MOREJanuary 15, 2016
Scott is a freelance producer/cameraman/editor whose clients have included National Geographic and the World Bank. He is at work on a personal documentary about how he and four siblings pick up t...
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Susanne grew up in Germany and studied anthropology and film studies in Canada and the United States. She holds a PhD in linguistic anthropology, has taught at Duke, Kenyon, and William and Mary, a...
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Tala Hadavi is a multi-lingual video journalist and documentary filmmaker who has shot, produced, and hosted more than 300 TV stories for Voice of America, as well as making long-format documentar...
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Tien Pasco is president and executive producer of Storylab Films where she has produced, directed, and written award-winning corporate and marketing videos, educational documentaries, television pr...
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For more than a decade, Walter has produced and written video and interactive programs for museums, government agencies, nonprofits, and associations. His current independent project Sousa takes ...
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Yisrael brings his interest in supporting the power of community to his work as a social entrepreneur, consultant and advocacy filmmaker in the U.S., Central America and Kenya. He has PA credits fo...
READ MOREOctober 06, 2015
Saaret Yoseph (2015 Fellow), is our guest blogger this month. She has been at work on iEthopia: the Round Trip, which explores the complexity of Ethiopian-American identity. As she is about to tra...
READ MOREOctober 01, 2015
Is THE WOLFPACK part of an ethnographic documentary tradition that seeks to display the “strange” for spectator enjoyment? Or does it consistently work against this tradition of depicting its main ...
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