September 15, 2016
Beginning this month, our full newsletter will be online rather than taking up too much space in your E-mail Inbox. Highlights include news of the Documentary Inspiration Awards, Open Call for Boa...
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July 11, 2016
Alyscia Cunningham (2016 Fellow) began filming subjects while working on her second book, I Am More Than My Hair: Bald and Beautiful Me, a social-change photography project paying tribute to girl...
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July 01, 2016
News from Docs In Progress including announcement of this year's Documentary Inspiration Award Honoree, Open Submissions for Community Stories Festival, our Next Work-in-Progress Screening, and M...
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June 05, 2016
"We are so much more than our voices. We are our choices." This was just one takeaway from several of the top voiceover artists in the Washington DC region when they came together to speak at a Do...
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May 23, 2016
Koorosh Farchadi (2016 Fellow) went on a whirlwind journey to get behind the science and politics of climate change to hear from everyday farmers who are facing the impact of climate change with ...
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April 07, 2016
AMERICA REFRAMED is one of the best places to see high quality, provocative documentaries on public television. Unfortunately you probably haven't even heard of the series -- much less seen it -- i...
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April 01, 2016
Like many millennials, 2016 Fellow Yisrael Welcher moved from New York to Washington DC to make change in the world. He planned to pursue a Masters in Public Administration MPA which would lead to...
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March 07, 2016
Kelley Slagle (2016 Fellow) is co-producing and editing Eye of the Beholder: The Art of Dungeons and Dragons -- a look at the artists behind one of the world's most renowned role-playing games. As...
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October 06, 2015
Saaret Yoseph (2015 Fellow), is our guest blogger this month. She has been at work on iEthopia: the Round Trip, which explores the complexity of Ethiopian-American identity. As she is about to tra...
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October 01, 2015
Is THE WOLFPACK part of an ethnographic documentary tradition that seeks to display the “strange” for spectator enjoyment? Or does it consistently work against this tradition of depicting its main ...
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